https://open.spotify.com/track/2073QOEC8rBtSyTsRyaWiP?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio

riseofthecommonwoodpile:

And love is a murderer.
Love is a murderer.
But if she calls you tonight,
everything is all right.
And love is a curse
shoved in a hearse.
Love is an open book to a verse
of your bad poetry,
and this is coming from me.

But I can change, I can change, I can change, I can change.
I can change, I can change, I can change
If it helps you fall in love.

The Empty Glass

bananapeppers:

I asked for much; I received much.

I asked for much; I received little, I received

next to nothing.

And between? A few umbrellas opened indoors.

A pair of shoes by mistake on the kitchen table.

O wrong, wrong—it was my nature. I was

hard-hearted, remote. I was

selfish, rigid to the point of tyranny.

But I was always that person, even in early childhood.

Small, dark-haired, dreaded by the other children.

I never changed. Inside the glass, the abstract

tide of fortune turned

from high to low overnight.

Was it the sea? Responding, maybe,

to celestial force? To be safe,

I prayed. I tried to be a better person.

Soon it seemed to me that what began as terror

and matured into moral narcissism

might have become in fact

actual human growth. Maybe

this is what my friends meant, taking my hand,

telling me they understood

the abuse, the incredible shit I accepted,

implying (so I once thought) I was a little sick

to give so much for so little.

Whereas they meant I was good (clasping my hand intensely)—

a good friend and person, not a creature of pathos.

I was not pathetic! I was writ large,

like a queen or a saint.

Well, it all makes for interesting conjecture.

And it occurs to me that what is crucial is to believe

in effort, to believe some good will come of simply trying,

a good completely untainted by the corrupt initiating impulse

to persuade or seduce—

What are we without this?

Whirling in the dark universe,

alone, afraid, unable to influence fate—

What do we have really?

Sad tricks with ladders and shoes,

tricks with salt, impurely motivated recurring

attempts to build character.

What do we have to appease the great forces?

And I think in the end this was the question

that destroyed Agamemnon, there on the beach,

the Greek ships at the ready, the sea

invisible beyond the serene harbor, the future

lethal, unstable: he was a fool, thinking

it could be controlled. He should have said

I have nothing, I am at your mercy.

Louise Glück

The Way One Animal Trusts Another | Carl Phillips

exceptindreams:

“The Way One Animal Trusts Another”
Carl Phillips

             Somewhere between what it feels like, to be at
one with the sea, and to understand the sea as
mere context for the boat whose engine refuses
finally to turn over: yeah, I know the place—
stumbled into it myself, once; twice, almost.  All
around and in between the two trees that
grow there, tree of compassion and—much taller—
tree of pity, its bark more bronze, the snow
             settled as if an openness of any kind meant, as well,
a woundedness that, by filling it, the snow
might heal…You know what I think? I think if we’re
lost, you should know exactly where, by now; I’ve
watched you stare long and hard enough at the map
already…I’m beginning to think I may never
not be undecided, about all sorts of things: whether
snow really does resemble the broken laughter
             of the long-abandoned when what left comes back
big-time; whether gratitude’s just a haunted
space like any other.  This place sounds daily
more like a theater of war, each time I listen to it—
loss, surprise, victory, being only three of the countless
fates, if you want to call them that, that we don’t
so much live with, it seems, as live for now among.  If as
close as we’re ever likely to get, you and I, is this—this close—