And love is a murderer. Love is a murderer. But if she calls you tonight, everything is all right. And love is a curse shoved in a hearse. Love is an open book to a verse of your bad poetry, and this is coming from me.
But I can change, I can change, I can change, I can change. I can change, I can change, I can change If it helps you fall in love.
I ruined it; I’m sorry. I saw you that first day and wanted to change myself. I lost my mind trying to tell you things without telling you. You’re the best. You’re fall in Berchtesgaden. I’m fucked up. Sorry.
Somewhere between what it feels like, to be at one with the sea, and to understand the sea as mere context for the boat whose engine refuses finally to turn over: yeah, I know the place— stumbled into it myself, once; twice, almost. All around and in between the two trees that grow there, tree of compassion and—much taller— tree of pity, its bark more bronze, the snow settled as if an openness of any kind meant, as well, a woundedness that, by filling it, the snow might heal…You know what I think? I think if we’re lost, you should know exactly where, by now; I’ve watched you stare long and hard enough at the map already…I’m beginning to think I may never not be undecided, about all sorts of things: whether snow really does resemble the broken laughter of the long-abandoned when what left comes back big-time; whether gratitude’s just a haunted space like any other. This place sounds daily more like a theater of war, each time I listen to it— loss, surprise, victory, being only three of the countless fates, if you want to call them that, that we don’t so much live with, it seems, as live for now among. If as close as we’re ever likely to get, you and I, is this—this close—